“Gyda, I have come to say goodbye to you properly. I have been thinking about you, about when you were small. You could run as swiftly as the wind. You were like quick-silver. But then, before I knew it, you stopped running here and there and everywhere, and you became still.
At 12-years-old, you had the stillnessand the calm of a fine woman. What children you would have produced! What joy that would have brought to all of us.
Dear child, Gyda. You are not gone because you are always in my heart.
They say that a man must love his sons more, but a man can be jealous of his sons, and his daughter can always be the light in his life.
I know very well that you are with the Gods. But I will wait here awhile. And if you want to come and talk to me, then come and talk, and I will gently stroke your long and beautiful hair once again with my peasant hands.”
我不知不覺 又徘徊在從前 Wǒ bùzhī bù jué yòu páihuái zài cóngqián Unconsciously, I have wandered back to the past again
秋風悄悄的呼喚 聽來盡是孤單 Qiūfēng qiāoqiāo de hūhuàn tīng lái jìn shì gūdān The autumn wind calls softly, filled with loneliness when heard
落葉的期盼 片片左右為難 Luòyè de qī pàn piàn piàn zuǒyòu wéinán The yearning of falling leaves, every leaf feeling caught in the middle
心走寂寞攀 跟著飄進黑暗 Xīn zǒu jìmò pān gēnzhe piāo jìn hēi’àn My heart embarks on a lonesome climb, then drifts into darkness
我不聞不問 也許好過一點 Wǒ bù wén bùwèn yěxǔ hǎoguò yīdiǎn If I don’t show interest in anything, perhaps I would feel better
被遺憾關在房間 掙扎只是拖延 Bèi yíhàn guān zài fángjiān zhēngzhá zhǐshì tuōyán Locked in the room by regret, struggling is only to delay (what is to happen)
無望的空談 一聲聲的輕嘆 Wúwàng de kōngtán yī shēng shēng de qīng tàn Empty chatter with no hope, soft sighs one after another
回憶扯不斷 怎麼擺脫糾纏 Huíyì chě bùduàn zěnme bǎituō jiūchán If memories cannot be torn apart, then how can one escape from entanglement
找不到方向 往彩虹天堂 Zhǎo bù dào fāngxiàng wǎng cǎihóng tiāntáng Unable to find my way, (I) head towards the rainbow heaven
有你說的愛 在用幸福觸摸懮傷 Yǒu nǐ shuō de ài zài yòng xìngfú chùmō yǒu shāng There’s the love you speak of that is using happiness to touch sadness
兩個人 相守直到白髮蒼蒼 Liǎng gè rén xiāng shǒu zhídào bái fà cāngcāng Two people sharing their lives until their hair has turned white
自由的飛翔在燦爛的星光 Zìyóu de fēixiáng zài cànlàn de xīngguāng Flying freely in the brilliant starlight
找不到方向 往彩虹天堂 Zhǎo bù dào fāngxiàng wǎng cǎihóng tiāntáng Unable to find my way, (I) head towards the rainbow heaven
有你說的愛 在用幸福觸摸懮傷 Yǒu nǐ shuō de ài zài yòng xìngfú chùmō yǒu shāng There’s the love you speak of that is using happiness to touch sadness
兩個人 相守直到白髮蒼蒼 Liǎng gè rén xiāng shǒu zhídào bái fà cāngcāng Two people sharing their lives until their hair has turned white
自由的飛翔在燦爛的星光 有你在我身旁 Zìyóu de fēixiáng zài cànlàn de xīngguāng yǒu nǐ zài wǒ shēn páng Flying freely in the brilliant starlight, I have you by my side
Story : This is a continuation of the previous song (Feng/Maple-Jay Chow), Will Liu take advantage being with her. When Jay know it, he don’t want to disrupt their relationship bear the pain and Let them to be together. One day when the girl went to Jay’s house and remember her memory but she hate jay for not telling her the truth and she leave Will Liu and Jay because she don’t know how to face them and if she choose one of them, is unfair to the other.
不聞不問* Wǒ bù wén bùwèn * “bù wén bùwèn” literally means not bothering to ask any questions or listen to what anyone says; translated as not showing interest or being indifferent
It’s a song that has fairly humble beginnings. Much of it came from a jam we were working on when we writing songs for our album Let Love In. […] I still find it all mysterious. I don’t want to know the details, and I’d never ask Nick. Sometimes it’s better to think “what the hell’s that all about?” It’s better that it’s unknowable and spooky. The song has its own life, now.
[Verse 1] Take a little walk to the edge of town Go across the tracks Where the viaduct looms Like a bird of doom As it shifts and cracks Where secrets lie in the border fires In the humming wires Hey man, you know You’re never coming back Past the square, past the bridge Past the mills, past the stacks On a gathering storm comes A tall handsome man In a dusty black coat With a red right hand
[Verse 2] He’ll wrap you in his arms Tell you that you’ve been a good boy He’ll rekindle all the dreams It took you a lifetime to destroy He’ll reach deep into the hole Heal your shrinking soul But there won’t be a single thing that you can do He’s a god, he’s a man He’s a ghost, he’s a guru They’re whispering his name Through this disappearing land But hidden in his coat Is a red right hand
[Verse 3] You don’t have no money? He’ll get you some You don’t have no car? He’ll get you one You don’t have no self-respect You feel like an insect Well don’t you worry buddy Cause here he comes Through the ghettos and the barrio And the Bowery and the slums A shadow is cast wherever he stands Stacks of green paper In his red right hand
[Organ Solo 1]
[Verse 4] You’ll see him in your nightmares You’ll see him in your dreams He’ll appear out of nowhere but He ain’t what he seems You’ll see him in your head On the TV screen And hey buddy, I’m warning You to turn it off He’s a ghost, he’s a god He’s a man, he’s a guru You’re one microscopic cog In his catastrophic plan Designed and directed By his red right hand
[Organ Solo 2]
Track #5 from Nick Cave And The Bad Seeds’ eighth studio album Let Love In.
The notion of a Red Right Hand goes back to John Milton’s Paradise Lost where it also plays the role of an undefined threat. There are discussions among scholars whether it concerns the hand of Satan or the punishing hand of God himself.
To back up the lyrics, the whole song has a threatening allure with the organ theme and Cave’s deep ominous voice.
In verses one and two, a tall handsome stranger ‘with a red right hand’ is used to personify an omnipresent danger. In verses three and four it is revealed what this danger actually is. It is the allure (remember that the man is tall and handsome) of material wealth which draws away your focus from more important things like self-respect. The tall handsome man sustains this danger as a ‘catastrophic plan’ in which you (that is the average person) are a ‘microscopic cog’. In this way, the man represents consumer society: something which is very everyday, but in its essence utterly scary and life-crushing.
The song was used as a theme song for the the horror movies Scream 1 & 2 and the soundtrack of 3 still contains tunes that are a reminiscence of this song. It’s also the theme song for the BBC show Peaky Blinders.
Lyric video for Sisitipsi’s single ‘Alkohol’ taken from their album ‘73%’.
sore hari menjelang kacamata hitam terpasang senderan di balik dinding ketawa ketiwi bercengkrama sama teman 4 sampai 5 orang bahasan yang tak kunjung usai happy happy kenapa bisa happy?
karena alkohol kamu jahat tapi enak alkohol bisa juga buat luka ringan alkohol walau jahat tetap enak alkohol walau pajak-mu tinggi tetap menjadi solusi
bercengkrama sama teman 4 sampai 5 orang bahasan yang tak kunjung usai happy happy kenapa bisa happy?
karena alkohol kamu jahat tapi enak alkohol bisa juga buat luka ringan alkohol walau jahat tetap enak alkohol walau pajak-mu tinggi tetap menjadi solusi
[Chorus]
Just when you think I’ve given up, I start to fight
When you think I’ve had enough, I start to bite
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog
You can count me out, but watch me rise
I’ve been going up against it all my life
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog (Yeah)
[Verse 1]
This is for the lost, the left out, the looked over
The ones who fight wars, the true soldiers
For the ones who keep marchin’ on
This is for the highs, that our eyes could not believe in
The woes, the low blows, we won’t give in, no
For the ones who keep holdin’ on (Keep holdin’ on)
[Pre-Chorus]
So remember what I told you
It ain’t over till it’s over
[Chorus]
Just when you think I’ve given up, I start to fight
When you think I’ve had enough, I start to bite
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog
You can count me out, but watch me rise
I’ve been going up against it all my life
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog (Yeah)
[Post-Chorus]
This is for the underdog, underdog
[Verse 2]
This is for the ones who jump high to touch heaven
The ones who must try, the true legends
They got something worth fightin’ for (Fightin’ for)
This is for the ones who dig deep, the prize winnin’
The need to succeed and keep givin’
Yeah, always getting up off the floor (Get up, get up, get up)
[Pre-Chorus]
So remember what I told you
It ain’t over till it’s over
[Chorus]
Just when you think I’ve given up, I start to fight
When you think I’ve had enough, I start to bite
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog
You can count me out, but watch me rise
I’ve been going up against it all my life
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog (Yeah)
[Post-Chorus]
Yeah
This is for the underdog, underdog (Yeah)
This is for the underdog, underdog (Yeah)
[Bridge]
The only one to wanna walk the walk, talk the talk
Oh, let’s hear it for the underdog
The only one against the odds to reach the top
Oh, let’s hear it for the underdog
The only one to walk the walk, talk the talk
Oh, let’s hear it for the underdog
The only one against the odds
Let’s hear it for the underdog, underdog
Soon to be top dog
[Outro]
This is for the underdog, underdog (Yeah)
This is for the underdog, underdog (Yeah)
Just when you think I’ve given up, I start to fight
When you think I’ve had enough, I start to bite
I’m gonna prove the whole world wrong tonight
This is for the underdog, underdog
Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.