I regret marrying you, Lizzie. Cause I’ve put you through so much. I’ve put you through all of this. Ruby. Everything that is to come. When you married me, you married a man and you married a curse. You have shared my fate. That is my regret. But know this, Lizzie. In this moment, in this room… I love you.
It’s a song that has fairly humble beginnings. Much of it came from a jam we were working on when we writing songs for our album Let Love In. […] I still find it all mysterious. I don’t want to know the details, and I’d never ask Nick. Sometimes it’s better to think “what the hell’s that all about?” It’s better that it’s unknowable and spooky. The song has its own life, now.
[Verse 1] Take a little walk to the edge of town Go across the tracks Where the viaduct looms Like a bird of doom As it shifts and cracks Where secrets lie in the border fires In the humming wires Hey man, you know You’re never coming back Past the square, past the bridge Past the mills, past the stacks On a gathering storm comes A tall handsome man In a dusty black coat With a red right hand
[Verse 2] He’ll wrap you in his arms Tell you that you’ve been a good boy He’ll rekindle all the dreams It took you a lifetime to destroy He’ll reach deep into the hole Heal your shrinking soul But there won’t be a single thing that you can do He’s a god, he’s a man He’s a ghost, he’s a guru They’re whispering his name Through this disappearing land But hidden in his coat Is a red right hand
[Verse 3] You don’t have no money? He’ll get you some You don’t have no car? He’ll get you one You don’t have no self-respect You feel like an insect Well don’t you worry buddy Cause here he comes Through the ghettos and the barrio And the Bowery and the slums A shadow is cast wherever he stands Stacks of green paper In his red right hand
[Organ Solo 1]
[Verse 4] You’ll see him in your nightmares You’ll see him in your dreams He’ll appear out of nowhere but He ain’t what he seems You’ll see him in your head On the TV screen And hey buddy, I’m warning You to turn it off He’s a ghost, he’s a god He’s a man, he’s a guru You’re one microscopic cog In his catastrophic plan Designed and directed By his red right hand
[Organ Solo 2]
Track #5 from Nick Cave And The Bad Seeds’ eighth studio album Let Love In.
The notion of a Red Right Hand goes back to John Milton’s Paradise Lost where it also plays the role of an undefined threat. There are discussions among scholars whether it concerns the hand of Satan or the punishing hand of God himself.
To back up the lyrics, the whole song has a threatening allure with the organ theme and Cave’s deep ominous voice.
In verses one and two, a tall handsome stranger ‘with a red right hand’ is used to personify an omnipresent danger. In verses three and four it is revealed what this danger actually is. It is the allure (remember that the man is tall and handsome) of material wealth which draws away your focus from more important things like self-respect. The tall handsome man sustains this danger as a ‘catastrophic plan’ in which you (that is the average person) are a ‘microscopic cog’. In this way, the man represents consumer society: something which is very everyday, but in its essence utterly scary and life-crushing.
The song was used as a theme song for the the horror movies Scream 1 & 2 and the soundtrack of 3 still contains tunes that are a reminiscence of this song. It’s also the theme song for the BBC show Peaky Blinders.